Blenda

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Sekcija koja se bavi fotografskim esejima, dajući još jedan prostor autorima čiji rad iako možda postoji negde na internetu, nije dovoljno naglašen i uobličen u temi. Blenda se fokusira upravo na ovo uobličavanje i kazivanje priča, različitog pristupa i karaktera, preko intimnijih do malo širih. Zajednički element svih ovih priča je subjektivno viđenje sveta oko nas, iskazivanje stava prema stvarima i pojavama, bile one kompleksne ili banalne.

Fotografija je nešto sa čime povezujemo čitave naše živote - čuvamo ih u foto albumima, kompjuterima ili pak u našim glavama i na taj način borimo se da sačuvamo deliće prošlosti; fotografija je nešto što svakodnevno doživljavamo u sadašnjosti, okidač za razna osećanja i raspoloženja; fotografija takođe budi maštu o dalekoj budućnosti, a sa druge strane otvara pitanja u vezi sa onim skrivenim, neprikazanim.

Kroz fotografiju percipiramo svet koji gradimo oko nas; ona je ta koja nas inspiriše ali neretko zna i da šokira, izbaci iz koloseka i navede na razmišljanje.

Selekcija autora koje ćemo izbacivati u okviru Blende na svake dve nedelje nije nimalo slučajna. Blenda trenutno funkcioniše po principu poziva, ali nakon nekog vremena ćemo omogućiti svima da šalju radove, koji će kasnije biti žirirani.

Uživajte sa nama, razmišljajte i učestvujte. Dobrodošli!

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Bez kuće

Pogledaj galerijuBez kuće Bez kuće Bez kuće Bez kuće Bez kuće Bez kuće Bez kuće Bez kuće Bez kuće Bez kuće Bez kuće Bez kuće

Tatjana Radičević

Filip je Natašin pas, on je mala fabrika čokolade. Fići voli musli. Želim da mirišem kao on.
Nataša je moja porodica, ona voli mimoze, priča nepovezano i sve što je želela kada je bila mala je da ne bude kod kuće. Ona ne voli čokoladu, ali ponekad voli njen miris. Miloš je moj hiperaktivni brat, peva u hardkor bendu i ima duge noge. Voli kruške jer su lepog oblika.

Kina

Pogledaj galerijuKina Kina Kina Kina Kina Kina Kina Kina Kina Kina Kina Kina Kina Kina Kina

Matea Jocić

Čim sam spustila kofer u Kini, odlučila sam da je dobra ideja otići se prošetati po Beijing-u bez karte i mobitela.
Par sati kasnije i na rubu plača morala sam moliti već trećeg taksistu koji me je odbio odvesti do hostela da mi se smiluje. Tu se negdje skriva lekcija.
Strašan je osjećaj biti sam u tako velikom gradu u kojem nitko ne govori engleski.
Ne pomaže ni to što svi bulje u mene samo zato što sam bijelac. To je, čini se, jako velika stvar za kineze.
Jako velika stvar za sve ljude je neverbalna komunikacija. Krasna stvar.
To je najvažnije iskustvo iz Kine, zato se bilo čudno vratiti u ZG i govoriti teti u dućanu što želim, a ne samo pokazivati.

Postcards from Bukovac

Pogledaj galerijuPostcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac Postcards from Bukovac

Milica Amidžić

This essay is about Bukovac, the village I was born in, and about my feelings towards it at the moment. Since I was a child, the thing that made Bukovac special is its location in between hills. This has given me the feeling of comfort, without depriving me of the possibility of simply wandering off.

The hills, sleighing and cycling, frozen fingers and skinned knees – these are some of the things that come to my mind when I think of home.

Nowadays I only go there once in a while, which makes me feel like being on a field trip. It’s still home, but I don’t live there anymore. So these photographs are a testimony, a personal postcard to remind me why I love this place. 

Amore del Tropico

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Katja Kremenić

There were no fish in the sky just catching sparks from all these falling stars.

Dreams

Pogledaj galerijuDreams Dreams Dreams Dreams Dreams Dreams Dreams Dreams Dreams Dreams Dreams

Nina Živković

when the moonlight seeps in through the blinds
my sighs tell me I'm alone
pack up all the daydreams
only to drag them out once again
in my favorite one there is an ocean sky and salty lips
lightning and the sound of waves
you once said that you remembered
why it is so hard to stay away
so don't. well don't
do all these dreams only mean a thing to me?
just close your eyes and meet me there
oh meet me there

 


 

I See A Darkness

Pogledaj galerijuI See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness I See A Darkness

Matt Lutton

"As soon as you appeared on this roof you made yourself ridiculous. It was your tone of voice. You spoke your words as though you denied the very existence of the shadows or of evil. Think, now: where would your good be if there were no evil and what would the world look like without shadow? Shadows are thrown by people and things. There's the shadow of my sword, for instance. But shadows are also cast by trees and living things. Do you want to strip the whole globe by removing every tree and every creature to satisfy your fantasy of a bare world? You're stupid."
Mikhail Bulgakov, "The Master and Margarita", 1967

Lekker

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Andrija Kovač

It used to be used only for food, as in tasty. But now in slang it also means sexy or hot. Often used to describe something enjoyable.

Still Skies

Pogledaj galerijuStill Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies Still Skies

Milica Balubdžić

As we nowadays think of how nice it was when the streets were empty, one day we will say how nice it was when the sky was clear.

Alter Life

Pogledaj galerijuAlter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life Alter Life

Irma Puškarević

The anticipation has ended.
The game has begun.
The movement is inevitable.
The harmony has been established.
The beings are surreal.

He Likes That Place Too

Pogledaj galerijuHe Likes That Place Too He Likes That Place Too He Likes That Place Too He Likes That Place Too He Likes That Place Too He Likes That Place Too He Likes That Place Too He Likes That Place Too He Likes That Place Too He Likes That Place Too

Marija Radosavljević

If I want to stop the time there is one special place for me, and one special person to go with. It's quiet there, it's calm, it's nice. He likes that place too, he understands me.

Ma Vision de Panam

Pogledaj galerijuMa Vision de Panam Ma Vision de Panam Ma Vision de Panam Ma Vision de Panam Ma Vision de Panam Ma Vision de Panam Ma Vision de Panam Ma Vision de Panam Ma Vision de Panam Ma Vision de Panam

Mrdak Luburić

Crazy people, friends, girls, toys, canal de St. Martin, architecture, all those metro stations, forbidden places, names, velib, trucks, stories, tunnels and the feeling that I have when I arrive on Gare de Lyon.
All these things give me inspiration to take some pics and they are the reasons because I still like to go in Paris.

Ma Vision de Panam is small collection of photos that I took in May and July of 2010.

Go back to bed, America

Pogledaj galerijuGo back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America Go back to bed, America

Jovan Todorović

Ovaj esej je kolekcija impresija koje mene vezuju za izvesnu melanholiju, usamljenost i nostalgiju prema svakom trenutku provedenom u S.A.D. 

Mučnina

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Bogdan Radenković

Mučnina (franc. La Nausée) je roman francuskog filozofa Jean-Paula Sartrea i opisuje nekoliko nedelja u besmislenom životu Antoinea Roquentina kojeg progoni osećaj mučnine - shvata da je ona zapravo strah od postojanja, a postojati znaci jednostavno biti tu, bez razloga i bez mogućnosti dubljeg razumevanja tog stanja, oseća se otuđenim od ljudi i predmeta oko sebe, od samog sebe i vlastitih delova tela.

Tombola

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Andrej Filev

Tombola u prostorijama SKUD "Karađorđe" (http://www.karadjordje.at) u organizaciji NVO “BOEM” (http://boem.postism.org), inače finalni deo akcije "Bed and Breakfast", koja je deo programa Bečkih nedelja kulture. Izveden je folklorni i sportski program u organizaciji kluba. Glavna nagrada na tomboli je bila austrijsko državljanstvo, dok je ostatak novca od igre uplaćen karate klubu Karađorđe.

Beč, Jun 2010.

Silent Observations

Pogledaj galerijuSilent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations Silent Observations

Marko Savić

Tih i prazan period za mene, kada sam i skinuo sve fotografije na komp, to sam i shvatio. Ništa se ne čuje osim vetra. 
Beležio sam samo taj jedan instant trenutak, treptaj. Nema ponovnog snimka, nema mog mešanja, kadriranja, menjanja objektiva...
Samo jedan klik, to je sve. Jedna kratka i ćutke observacija.

Fotografije su nastale u martu 2009. na putu kroz Rumuniju.

Childhood

Pogledaj galerijuChildhood Childhood Childhood Childhood Childhood Childhood Childhood Childhood Childhood Childhood Childhood Childhood Childhood Childhood

Željko Naić

These images were made during two years of therapy that I have
prescribed myself, in order to release the tensions and deal with
complexes haunting me since I was a child. With this essay I'm trying
to emphasize that without a proper guidance, without a role model
youths can only do so much with their lives. And the accumulated
incapacity of individuals to make significant progress can only form a
retarded society. I need to further explore these problems on both
personal and social levels, in order to find catharsis and be able
to better bring up my own children. This is the work in progress.

When Everybody's Asleep

Pogledaj galerijuWhen Everybody's Asleep When Everybody's Asleep When Everybody's Asleep When Everybody's Asleep When Everybody's Asleep When Everybody's Asleep When Everybody's Asleep When Everybody's Asleep When Everybody's Asleep When Everybody's Asleep

Branislav Jovančević

"There's a bluebird in my heart that wants to get out, but I'm too clever, I only let him out at night sometimes when everybody's asleep. I say, I know that you're there, so don't be sad. Then I put him back, but he's singing a little in there, I haven't quite let him die and we sleep together like that with our secret pact and it's nice enough to make a man weep, but I don't weep, do you?"
Charles Bukowski, "Bluebird", 1992

Plima i oseka

Pogledaj galerijuPlima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka Plima i oseka

Luka Knežević-Strika

"...kao i Bernoulli, se primjenjuje u sistemima koji su složeni i nisu linearni (vrlo često kaotični). Ispada da je loša teorija jednako loša kao i dobra teorija za precizno predviđanje rezultata. Neće jednom hidro ili aero-dinamičaru "dobra teorija" zamijeniti eksperimentalni zračni tunel i dati mu čarobni štapić koji je profil krila najbolji, niti će oceanografija točnom teorijom dobiti oružje sudnjeg dana kojim će moći predvidjeti visinu svake plime i oseke u bilo kojem dijelu svijeta u bilo koje vrijeme.Najviše što dobra teorija u ovom slučaju može, je ukazati na neke primjere pogrešaka loše teorije. Ja sam skroman pa mi je i to dovoljno."

Documents from Poland

Pogledaj galerijuDocuments from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland Documents from Poland

Nemanja Knežević

Wrocław, Kraków, Jarkowice. March 2010.

rb-61/120

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Katarina Šoškić

Morala sam da pazim na svetlo, doba dana, spisak stanova koje sam posetila i redosled snimaka na filmu, ali i da uočim sitna pravila u ritmu svakodnevice mojih suseda. To što su mi ti ljudi komšije samo je doprinelo komunikaciji, jer situacije sa kojima sam se srela postoje u svakoj zgradi. Vreme za koje kroz predsoblje i kuhinju stignem do terase, fotografišem i izađem iz stana istim putem nazad, dovoljno je da ja kao stranac osetim atmosferu. Ne kao značajnu za razumevanje porodice u čije sam domaćinstvo kročila, već kao parametar važan za razumevanje onog mnoštva koje sam želela da pokažem.

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